The Cavalcade of Music, presented by DuPont. This evening, the DuPont Cavalcade of Music had scheduled a program of the songs of Richard Rogers. The music of George Gershwin had been scheduled for next Wednesday. But day before yesterday, Monday the 12th of July, newspapers all over the world headlined this unhappy fact. George Gershwin has gone. And so, this evening, our program, presented by Don Voorhees and the DuPont Cavalcade Orchestra, with Conrad Thiebaud as guest soloist, will be a special tribute to George Gershwin, a young man whose tunes brought joy to America even as they lifted our so-called popular music to a new level. For George Gershwin was our leading interpreter of what is called the jazz idiom. Not a musician in the land will forget that day in 1923, when Gershwin completed a composition for Paul Whiteman to play before an audience of critical music lovers in Aeolian Hall, New York, an auditorium dedicated only to classical music. The Rhapsody in Blue was a milestone in the development of American popular music. For about that time, richer arrangements and more elaborate orchestrations began to have their day. But George Gershwin was already known before he wrote the Rhapsody. Just out of his teens, he composed a number that Al Jolson sang in the musical show Sinbad, George Gershwin's first big hit, Suony. When he was 16 years old in 1915, the boy whose piano lessons were paid for by his mother at the rate of 50 cents an hour went to work for a New York music publisher named Remican Sons for $15 a week. Eight to ten hours a day, he plugged away at the piano, promoting the company's songs all over the city. But even then he had the urge to compose. He wrote many a number that went unpublished, but those tunes were stored away by young Gershwin for possible future use. And one appeared in the early 20s as a hit of his score of George White's Scandals. His name was Somebody Loves Me, and it's still a favorite. Alan Oh Oh Oh Oh Ever since those early 20s George Gershwin was an established success But not until several years later did he actually lead a theater orchestra in a performance of one of his own shows on Christmas night 1929 in Boston he climbed into the pit and conducted a performance of strike up the band a musical that contained 28 Gershwin compositions Among them was an appealing melody called soon our guest soloist Conrad Tebow sings it I'm making up for all the years that I wasted I'm compensated at last My heart is through its shirking gear, through you its working fast The manly lonely nights and days when this duffer just had to suffer a past Life will be a dream song, love will be the theme song Soon the lonely nights will be ended, soon two hearts as one will be blended I've found the happiness I've waited for, the only girl that I was slated for Oh soon a little star that will find us safe, with all our cares far behind us The day of mine, this world will be in tune, let's make that day come true Oh soon a little car that will find us safe, with all our cares far behind us The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true The day of mine, this world will be in tune, let's make that day come true I love you and you love me and that's how it will always be and nothing else can ever mean a thing Who cares what the public chatters? Love's the only thing that matters Who cares if the sky cares to fall in the sea? Who cares what banks fail in yonkers? Long as you've got a kiss that conquers, why should I care? Life is one long jubilee So long as I care for you and you care for me Why should I care? Life is one long jubilee So long as I care for you and you care for me The music is from the Gershwin score of a musical hit called Girl Crazy. The tunes are I Got Rhythm and Embracable You. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. I'm. Of course, George Gershwin wrote for the movies. In fact, at the time of his fatal illness, he was at work in Hollywood. Movie gores will remember the toe-tingling score he wrote for the recent Fred Astaire Ginger Rogers picture, Shall We Dance? We'll hear three numbers from the score. I've got Beginner's Luck, Conrad Thiebaud singing They Can't Take That Away From Me, and the title song, Shall We Dance? **swanky music plays** The way you wear your hat, the way you sip your tea, The memory of all that, no, no, they can't take that away from me. The way your smile just beams, the way you sing off key, The way you haunt my dreams, no, no, they can't take that away from me. We may never, never meet again on the bumpy road to love, Still I'll always, always keep the memory of The way you hold your knife, the way we dance till three, The way you change my life, no, no, they can't take that away from me. No, they can't take that away from me. The way you hold your knife, the way you sing off key, The way you haunt my dreams, no, no, they can't take that away from me. George Gershwin A Broadway song plugger who decided as a youngster that he'd someday write an opera and did it successfully with Porgy and Bess. A long-legged, shy, yet wide-grinned genius who took the throbbing beat of his native East Side, the swinging rhythms of his adopted Broadway, the hopes and heartbeats of his very native land and turned them into music. Music that was jazz, touched with a magic wand of genius, music that we won't forget. DuPont joins the nation in a tribute to George Gershwin. What a legacy of melody he left to keep his works high in our country's cavalcade of music, and his name, an honored one, in the cavalcade of America. How would you like to go cruising around the South Seas searching for some lost island? It's human nature to get a thrill out of exploring new fields. But the important thing is what comes out of such searching. To the research chemists, there's something of the adventurer's thrill in explorations of science. But here again, the important thing is what useful products are found or developed. Take cellulose research, for example. Chemistry experimented with two natural materials, cotton and spruce wood, which supply this versatile substance in purest form. They explored possible uses for cellulose and from it developed many useful products for all of us. They include transparent wrapping material to protect our foods, washable coated fabrics for greater economy and service, shatterproof glass for added safety and dozens of others. Human needs served by such products whose base is cellulose, resulted in broader markets and better prices for the cotton grower and lumberman. Coal, the black diamond of the earth, also attracted the attention of research chemists. From it, they obtained a sticky substance called coal tar. Long research with this material resulted in chemical bases for perfume, bases for fast dyes, insecticides and many more products of everyday use. And there's salt. From research in salt, DuPont chemists have developed several types of disinfectants, materials to case harden steel and refrigerants to preserve our foods. And sulfur, nature placed it in the earth, chemists developed ways of extracting it and putting it to work for all of us. For instance, sulfur is used in sprays to protect plant life from insect attack and of course it's a principal ingredient of sulfuric acid, the most widely used chemical of all. Thus we see a few of many examples of how DuPont chemical research, which might be called scientific exploration, works for all of us by improving existing products and developing new ones from nature's own materials. This exploration is going on constantly and there are more explorers today than ever before. DuPont alone has hundreds of research chemists that work in its laboratories and their efforts resulting in advances that touch the daily lives of us all are always directed towards the goal described in the DuPont phrase, better things for better living through chemistry. Music Next week at the same time, the DuPont Cavalcade of Music will present the program originally scheduled for this evening. The music of Richard Rogers, Conrad Thiebaud guest soloist with Don Voorhees and the DuPont Cavalcade Orchestra. This is the Columbia Broadcasting System. Applause